Produced by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished first film casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Woodsman denying his container of cider, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it leads to a hilariously staged rampage on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film is in British and Irish theaters from 17 November.
